Norman Norell

American Fashion On View

Charles James "Butterfly" Dress, 1955. Smoke gray silk chiffon; pale gray silk satin; aubergine, lavender, and oyster white tulle. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art.

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Clothing Construction, the Beauty Behind the Seams

American Beauty, Aesthetics and Innovation in Fashion on exhibition It's so easy to get the look, but what is the mastery behind its seams? “Knowing the sewing construction is what makes one a designer not a stylist,” Charles Kleibacker, at the FIT American Style Symposium. There's no doubt that I'm a seam queen! I can spot a well-made garment in an instant and appreciate the craft that went into its construction. It comes from a discerning eye and knowing when it matters most to have the best that you can or when a trendier throwaway version is just fine. Or, perhaps, the contemporary combination of the mixing both high and low fashion. Maria Cornejo dress In the modern world of

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